Showing posts with label Metropolitan Museum of Manila. Show all posts
Showing posts with label Metropolitan Museum of Manila. Show all posts

Brave New Worlds: Utopia in Dystopia at the MET Museum Manila


From April 26 to June 2, witness and experience a carnivalesque collection of painterly artworks made by more than 20 artists of Filipino and European origin as the Metropolitan Museum of Manila brings you BRAVE NEW WORLDS: Utopia in Dystopia in partnership with the Embassy of France in Manila.


“BRAVE NEW WORLDS: My Utopia, Your Dystopia” is an exhibition that shows a convergence of Filipino and foreign visual artists with heavy themes on black humor and dystopic elements present in the heavily urbanized culture of today.

Curated by Filipino painter Manuel Ocampo, he develops this exhibition by featuring at least 20 artists who has shown a particular rising presence in the turn of the 21st Century.


“In this millennium, we are faced with cataclysmic decline of the environment and societies, and artists have dealt or anticipated this world on the verge of collapse,” said Manuel Ocampo who's known for capturing pop sub-cultures on his canvasses.

Brave New Worlds will feature a variety of contemporary artworks showing parallelisms of practice among artists who struggle to make sense of a society facing moral, ideological, and environmental degradation.

Included in this exhibition are French artists such as Damien Deroubaix, a writer and painter known for his violent images usually containing grotesque monster figures and graphics.


Hervé de Rosa, who’s known for his works on vibrant and unique characters reflect his love for a low-brow, or “kitsch” art style.


Myriam Mechita, a teacher and artist who makes use of common objects like pearls, embroidery, and sequins to assemble contradictory images.


Fabrice Hyber, who accumulates his philosophical ideas on ecology and society and propagates it in his drawings, paintings, and even installations.


Witness Filipino humor mirror its foreign and dystopian counterparts.
French video and film screenings will be on view in May at the MET Lab.

In line with the exhibit, catch French artist Fabrice Hyber and Manuel Ocampo in Manila for a meet-and-greet at the MET on May 21, Wednesday at Tall Galleries, 3PM.  


The exhibition is open to the public on April 26 and will run until June 2, 2014 at the MET’s Tall Galleries.

Visit the Metropolitan Museum Manila at the Bangko Sentral ng Pilipinas Complex, Roxas Boulevard, Manila. Museum hours are from 10am to 5:30pm, Monday to Saturday; and closed on Sundays and holidays.


For more information, call (02) 708-7828 or email info@metmuseum.ph


The Power of Form at MET Manila


It's no secret from my previous posts that I have this fascination for art. One of my fantasies is to visit some, if not all, museums in Paris or New York for a whole day. Unfortunately, it wouldn't be sooner than I wish it would be.

But for now, there is always the Metropolitan Museum of Manila and is currently exhibiting the works of National Artist for sculpture, Napoleon Abueva.

To cater to the Filipino’s responsiveness towards tangible art, the Metropolitan Museum of Manila brings you an exhibition by the country’s national artist for sculpture, Napoleon Abueva entiled “Abueva: The Power of Form.”


This exhibit features a range of sculptures with diverse concepts, forms and techniques representing significant stages of the artist’s life. The MET showcases over 100 sculptures from various collections, the 1950s up to 2009. It is primarily a tactile exhibit, where visitors are allowed to touch the artworks to fully experience the artistry and dynamism in each sculpture.

 Please Sit Pretty Close To Me, Wood and Fiberglass, 1999

Basa Na (Remembering Typhoon Yoling) Bronze, 1970

(L-R) My Grandmother, Painted Plaster, 1950; House Post 1 (The Abueva Valles Family Tree), Wood, Panel of three-sided house post, 1973; Amihan, Bust in Wood, 1960; Sandino, Bust in Plaster Iron, 1992; Baby Duero, Wood, 1980

Experience these momentous sculptures through your own hands on January 30 at the Tall Galleries and will be displayed at the MET Manila's BSP galleries until February 28, 2014.

Metropolitan Museum of Manila is located at the Bangko Sentral ng Pilipinas Complex, Roxas Blvd., Metro Manila.
Doors are open from 10 AM to 5:30 PM, Mondays through Saturdays.

For inquiries, contact info@metmuseum.ph
or visit www.metmuseum.ph

Art + Video Tech Exhibit at SM Mall of Asia and SM Aura Premier


If you're thrilled as I am on exploring new technology for contemporary art and how animation in our country is going huge these days, then it's time you visit SM Mall of Asia (until October 2) and SM Aura Premier (October 8-14) as Metropolitan Museum of Manila in partnership with Samsung Philippines, SM Supermalls, and Animation Council of the Philippines Inc. present Art + Video Tech Exhibit


And oh! Did I mention that this is open to public and a free exhibit at that? :)

On the emergence of technology as a popular art medium used by artists both locally and internationally, MET Museum of Manila on its first off-site exhibit this year brings the public closer to the museum to indulge in the collections that features museum programs as a way of raising public awareness and appreciation for the culture and the arts. 

Guests and art enthusiasts were graced by MET Museum of Manila Director Sandra Palomar-Quan and Animation Council of the Philippines Inc. President Benjamin Marasigan during the Art + Video Tech Exhibit opening at SM Mall of Asia.

Sandra Palomar-Quan, Director, MET Museum of Manila. 

 Benjamin Marasigan, President, Animation Council of the Philippines Inc. 

This exhibit includes the works of leading Filipino artists who made use of the technological advancement and used it as their art form and content, featuring Ramon Estella, Eric de Guia (Kidlat Tahimik), Peque Gallaga, Louie Cordero, and Johnny and Miguel Alcazaren (the Alcazaren Brothers). 

Positive Negative by Louie Cordero 

Amniotic by Ivan Despi and Pauline Vicencio-Despi 

Babel by Ivan Despi and Pauline Vicencio-Despi 

Music for the Impaired by Ivan Despi and Pauline Vicencio-Despi 

The exhibit will also feature works of contemporary artists such as Victor Balanon, VJ Villafranca, Diokno Pasilan, Cocoy Lumbao, and so on. 

And on behalf of the Animation Council of the Philippines, Inc., the exhibit will feature a selection of videos from Animahenasyon, a Philippine Animation Festival.

Where’s Francis? by David Griggs

Mystery of the 24th by Julian Santiago 

Index (Elevated Train: Three Stations) by Cocoy Lumbao 

Celestial Motors by Maria Taniguchi

The earliest form of video art was used during the 1950’s to the 1960’s internationally and before it was recognized and experimented on in the local scene. Yet art evolves as society and cultures continue to grow, and parallel this, technology only becomes more advanced and conveniently accessed by the public. 

Artists now have an easier opportunity in communicating with the audience with the use of video art. Day-to-day films in Filipino and English convey a message with the use of storytelling, but video art breaks down that rule and uses itself as a medium, becoming a moving artwork itself, deprived of structure, but full of meaning. With the use of art and technology, the electronic media is able to reflect a new wave of thinking, perception, and attitude that can influence and change people’s lives all over the world. 

Inviting both young and old minds to understand the works of art animation in the Philippine industry, there will also be a series of FREE Animation Workshops and Lectures:
APCI Lecture Workshops: The Animation Industry in the Philippines
by Nelson Caliguia, Jr. and Ramon del Prado
3PM Sunday, September 29 at the Mall Atrium, SM Mall of Asia 
Animation Workshop 
by Alcazaren Brothers Animation
3-6PM Sunday, October 13 at the Mall Atrium, SM Aura Premier 
The workshop is available for beginners, budding animators, hobbyists, and is not only limited to professionals to enjoy the hands-on and lecture series of this exhibit. 

For questions and inquiries, contact (+632) 708-7829 or send an email to info@metmuseum.ph



Korean Print-making through the Decades at MET Museum Manila


When it comes to art, how far would you like to know?


Korea's National Museum of Modern and Contemporary Art (MMCA) Curator Yoon-Jung Hwang took us back to the 1950's on how the amazing craft on Korean print-making started, specifically on woodblock print on Korean paper with the pioneering artist Yoo Kang-youl, during the media conference held at White Cube Gallery, Metropolitan Museum of Manila.  

For starters, we were graced with an opening introduction from the President of Metropolitan Museum of ManilaTina P. Colayco, and MET Museum DirectorSandra Palomar-Quan about the Fifty Years of Korean Contemporary Print-making Exhibit that will be open to public and will run from August 1 to 23, 2013.


In an effort to heighten the presence of Korea in Southeast Asia, Korea Festival in ASEAN program on ASEAN member countries has been staged since May 2013 that features a variety of cultural events, including diverse performances and exhibitions, along with lecture presentations to share Korea’s “success stories” with local audiences. 

Of note, the Fifty Years of Korean Contemporary Printmaking exhibit, a highlight of the Korea Festival in ASEAN program, is being presented by the Korea Foundation, National Museum of Modern and Contemporary Art, Korea, and the Metropolitan Museum of Manila

We were given the first viewing of more than 70+ (from its collection of more than 300) items of Korean artworks and print-making collection that goes all the way from the Early Stages (1950's) with Yoo Kang-youl's famous woodblock print—A fish in the mountain, Han Yong-jin's Work 62 in 1960's The Formation Stage, Kim Sang-yu's No. EXIT (Room without an exit) in 1970 of The Spread Stages (1970-1980's), Paik Nam-june's Lee Taebaeck Captivated in Color, copperplate print in 1984 to Minjung (the people's) Woodblock Printmaking that includes Hwang Jai-hyoung's A Coal Miner, until the 1990's Diversification Stage like Kang Ai-ran's Cool Mind Flat 1-2-3, aluminum casting.     

Chung Kyu, Circus (1956); Choi Young-rim (1950); Lee Hang-sung, Nirvana (1958); Chung Kyu, Abstract (1950); Yoo Kang-youl, A fish in the mountain (1950)   

 Kim Sang-yu, No. EXIT (room without an exit) 1970

 Song Burn-soo, Take CoverⅠ,Ⅱ,Ⅲ (1974)

 Kim Joon-kwon, Blue Bird (in the honor of the General Kim Bong-jun) 1987

Kang Ai-ran, Cool Mind Flat 1-2-3 (1999) 

Oh Yi-yang, Existence (1994) 

This is one of my favorites! :)

Min Joung-ki, Gate for a Forest 1 and 2 (1986)

The technique used has something to do with Shadow Play photography, but with a twist of film-projector reflecting the subject. 

And this one reminds me of Cecile, who is also a sucker for Coke! Hehe :)

Han Un-sung, Giant II (1981); Han Un-sung, Greedy Giant (1974) 

With an overview of the artistic achievements of Korean printmaking, the exhibit covers a wide range of processes like wood print, copper print, lithography, silkscreen, and digital print, which result in unique print works. There are also examples of whimsical printmaking works of the world-renowned artist Nam-june Paik, as well as various award-winning works and representative works of printmaking that were created amidst the pro-democracy movement in the 1980s, along with abstract printmaking works of the post-war period. By displaying works of various methods and times, the exhibition reveals the features of Korea’s modern arts and its evolution over time.

From left to right: Fralynn Manalo, MET Museum PR and Marketing; Dr. Hyung-min Hwang, MMCA Director; Dr. Hyun-Seok Yu, Korean Foundation President; Tina P. Colayco, MET Museum President, Sandra Palomar-Quan, MET Museum Director; Keum-Jin Yoon, Korea Foundation Director; Yoon-Jung Hwang, MMCA Curator; MMCA-Korea Foundation Marketing and organizers 

The exhibit also represents a meaningful endeavor for Korea and the Philippines to effectuate cultural exchange, is being presented so that ASEAN audiences can better understand and appreciate the creativity of Korea’s print artists. The exhibition is a rare opportunity for the people of the Philippines to experience this different aspect of Korean culture. Korea’s modern printmaking can serve as a catalyst for ASEAN countries to expand their cultural exchange activities with Korea.

On August 1 at 3pm, Dr. Chung Hyung-min, the Director of MMCA will conduct a special lecture at the MET while on August 1 at 10am, Ms. Hwang Yoon-jung, MMCA Curator is set to deliver a curator’s talk.

The Fifty Years of Korean Contemporary Printmaking Exhibit will run from August 1 - 23, 2013.


The Metropolitan Museum of Manila is located at the Bangko Sentral ng Pilipinas Complex, Roxas Boulevard, Manila and opens from 10am – 5:30pm, Monday to Saturday. 

For questions and inquiries, contact (02) 708-7829 or send an email at marketing@metmuseum.ph.


Related articles:

Visit to the MET Museum: Claudio Bravo Sojourn in Manila
Riverscapes IN FLUX at the Metropolitan Museum of Manila 

Riverscapes IN FLUX at the Metropolitan Museum of Manila


In a world where Twitter, Facebook and Instagram are the new personal journals/diaries, I couldn't help but wonder... when was the last time you've been in a museum? 

Well, mine was last year. It was at the Metropolitan Museum of Manila with Curator Tats Manahan in an exhibit of the wonderful works of Claudio Bravo: Sojourn in Manila and that was around September 2012.


It was truly inspirational. Even his paintings reflect how he was inspired by Filipino culture and fell in love with our imagery and skin color. On top of that, were walls with his quotes and message to the youth and his visions. Apparently, most of the collectors of Claudio Bravo's works did not allow to have the paintings to be photographed so I took a photo of how it would look like from above. 


But fun isn't there without photos. :) So there were few paintings that I got approved to be put on published. You can view it HERE on my previous post. 

And Tessa Prieto-Valdez was there too!


This summer, the Metropolitan Museum of Manila and the Goethe-Institut invite you to experience Riverscapes IN FLUX to open until April 13, 2013.


Seventeen artists from Vietnam, Thailand, Cambodia, Indonesia, and the Philippines explore how people interact with water through art installations and intermedia, meditating on a life and world that is, like the river, constantly in flux. Initiated by Goethe-Institut Vietnam, the traveling exhibition has been shown in Hanoi, Saigon, Bangkok, Phnom Penh and now in Manila before moving to its last destination in Jakarta on June 2013. Riverscapes IN FLUX features the works of Filipino artists Jon Romero and Christine Poblador among the 17 Southeast Asian artists.


AUNG KO (Myanmar)
The Sight Viewed from Boat
Installation


MAHARDIKA YUDHA (Indonesia)
Shifting Live Object  Into Inanimate 
Video Installation


GOLDIE POBLADOR (Philippines)
The Fragrance of the Marikina River
 Inter-active mixed media installation


WOK THE ROCK (Indonesia)
Bandar Raya Snack 
Installation 


THAN SOK (Cambodia)
Middle  Ground
Installation 10 sculpture


JON ROMERO (Philippines)
South Bridge
Sound Installation

“With this art project, the Goethe-Institut wants to contribute to raising awareness about the invaluable ecological and cultural heritage of the major river landscapes in Southeast Asia,” says director of the Goethe-Institut Vietnam, Almuth Meyer-Zollitsch. “We hope for a lively exchange between artists and visitors that will flow beyond borders – just like the rivers themselves.”

The Manila run is curated by Claro Ramirez, Jr.


Ramirez is a multimedia artist whose paintings, sculptures, photographs, sound works and mixed media installations have ben exhibited in China, Japan, Bangladesh, Denmark, Poland and the United States. He is a former apprentice of the Philippines National Artist for Visual Arts Cesar Legaspi, and a graduate of the University of the Philippines and University of Santo Tomas. Ramirez has worked as a consultant for artistic direction of exhibitions and new media projects at several museums and international cultural institutes, including the Goethe-Institut. He recently curated Nothing to Declare at the Yuchengco Museum and was one of the four curators of Sungdu-an National Visual Art Exhibition at the National Museum of the Philippines in 2009.  He has just also recently participated in Art Video Exchange at Smallprojects in Tromso, Norway and the 14th Jakarta Biennale, along with exhibitions at the Finale Art File and Mo Space Gallery in the Philippines. 

Riverscapes IN FLUX is now open for public until April 13, 2013.
For more information, contact 708-7829 / 0922-87695324 or e-mail marketing @metmuseum.ph

The Metropolitan Museum of Manila is located at the Bangko Sentral ng Pilipinas Complex, Roxas Boulevard, Malate, Manila. Open Monday through Saturday, 10 am to 5:30 pm.


Visit to the MET Museum



There are only a few paintings that I know; The Last Supper and Mona Lisa by Leonardo da Vinci, Las Meninas by Diego Velasquez and Starry Night over the Rhone by Vincent van Gogh

And remember this?



Yup! It was only because of Bean: The Movie that I learned it is Whistler's Mother by James McNeill Whistler. LOL! :)



But no matter how little I know about paintings and the arts, I can still remember how I was in love with sketching and paintings inspired by reality and those that are often obscured by what is visible when I was 10. I even dreamed of becoming an artist.

Weeks ago, I got a few exchange of emails with Fralynn Manalo of Metropolitan Museum of Manila - Museum Marketing about an exhibit of a famous Chilean artist. I knew I’ve read about him, but I wasn’t sure when. Sadly, it was last year (2011) when he died.

His name? Claudio Bravo.

Photo Credits: Rafael Cidoncha

Claudio Nelson Bravo Camus was born on Nov. 8, 1936, in Valparaíso, Chile and grew up in a farm in Melipilla, where his father is a rancher and a businessman. He took lessons with Miguel Venegas Cifuentes, an academic artist, but he was largely self-taught. And reading through his biography brings definition that he was born to be a famous artist someday. He danced with the Compañia de Ballet de Chile and acted at the Teatro Ensayo at the Catholic University of Chile. But he always goes back to painting and after staying in Concepción, he became a sought-after portrait painter.

When the date was set for my visit at the MET, I decided to do a little more research. But meeting the MET Museum's Curator Tats Rejante Manahan is more like reading all research materials about Claudio Bravo. 


She knows Claudio Bravo. And she have met him personally when she and her husband had a trip in MoroccoTats mentioned that in celebration of strengthening ties between the Philippines and Chile, the Embassy of Chile and Energy Development Corporation (EDC) is presenting a landmark exhibit of works and passion of Chile’s famous artist at the Metropolitan Museum of Manila, in time to coincide with the National Day celebration of Chile – the Claudio Bravo: Sojourn in Manila.

Walking inside and going through the first six paintings would give you the idea that Claudio Bravo has been inspired a lot by many Filipino and fell in love with distinct history and imagery, our skin color and race served as inspiration and beauty to him. Even more with the rest on the walls where you’ll see more portraits especially of the rich and famous people in Manila's high society.


In 1968, Claudio Bravo was invited by the former First Lady Imelda Romualdez Marcos to the Philippines to paint her and former President Ferdinand Marcos. However, Bravo's visit materialized to grace the 40th wedding anniversary of Eugenio Lopez Sr. and Pacita together with Spanish and Bulgarian royalty. He felt familiar warmth in the Philippines which reminded him so much of his native Chile. He stayed in Manila even after the royal guests left and created a strong following among the high society.   

Portrait of Imelda R. Marcos

Bravo’s ability to depict creases, indentations, and folds in his still life was reminiscent of Spanish masters such as Zurbarán and Velázquez. Demonstrating mastery in all techniques and mediums on paper, his superior draftsmanship closely resembled the style of the Renaissance-Baroque tradition.


"I think the Philippine portraits are, perhaps, my most lucid paintings, because it was a different race, beautiful!"

Claudio Bravo's delicately drawn life-like portraiture captured the illustrious personalities of a society that was attempting to surface its noble past in the  novelty of the 60's. Bravo completed about 30 portraits of distinguished figures with iconic realism that can instantly tell a story. 

Bravo painting Conchita Lopez Taylor in 1968

The emotion he was able to capture in his oil paintings is also present in his lithographs, which hold the same warmth and level of detail.  His most recent series of lithographs features animals and skulls of animals native to his home in Morocco.

Claudio Bravo, whose technically dazzling trompe-l’oeil paintings of paper-wrapped packages and draped cloth blended hyperrealism and classical Spanish influences, died on June 4 at his home in Taroudant, Morocco. He was 74.

Let me show you some of the portraits approved by the collectors to be published:

 The iconic portrait of Ma. Lourdes Araneta Fores, 1968


Crabwoman


 Margarita delos Reyes

 Portrait of Chona R. Kasten

 Conchita Taylor

 Dr. Constantino Manahan

 Elvira Manahan

 Luis Araneta

Pacita Lopez 

 Regina Dee

Evelyn Forbes

Other portraits are of Jaime and Beatriz Zobel de Ayala, Maria Luisa Prieto Lovina holding a white Gumamela, Inigo and Rocio Zobel Urquijo, Gretchen Oppen Cojuangco, Katherine Young and more. Cecile Locsin holding an antique little bell, and Leandro Locsin with a piece of sheet music placed on a table – wherein Bravo is fond of illustrating of his objects’ personality in his portraits. 

The exhibit also includes sketches and works of Claudio Bravo like MADONA CON SN. JUAN PELEANDO CON EL NINO JESUS POR UNA MARIPOSA, Venetian Carnival and many more.

Earlier that week, Socialite-philanthropist Tessa Rufino Prieto-Valdez – fashion designer, columnist and party host extraordinaire – was also visiting in the exhibit and took her photo on my most favorite Claudio Bravo sketches - Crabwoman. :)


There was a drawing session happening too. 



The model doesn't look tired 
though hours in same straight position.


She's pretty, don't you think? :)


Claudio Bravo: Sojourn in Manila is open to the public and will run until October 20, 2012. The exhibit will be accompanied by weekly activities on Saturdays, including a curator’s talk, portraiture lecture and drawing session. Entrance  fee of  Php 100 covers the featured forum or event of the day admission.  

A ‘Still’ Life
      Date:    Saturday, 29 September 2012 @ 10:00 am
      White Cube Gallery
Art historian Cid Reyes talks about still life painting tradition in the Philippines. His survey on the subject and still life painters in the country will be followed by a still life drawing and painting session involving objects often used by Bravo in his creations.

Fashion Portraits: Inspired by Claudio Bravo
     Date:   Tuesday, 2 October 2012 @ 1:00pm
     Upper  Galleries' Bridge
Claudio Bravo’s portraits are distinct for their fashion flair and daring. Fashion Portraits is a portrait session involving female models and visual artists as sitters, donned in haute couture by the country's leading designers. Students of fine arts and photography capture the sitters. The event is made possible by Summit Media’s Preview Magazine.

Curator’s Talk
    Date:     Saturday, 06 October, 2012 @ 10:00am
    White Cube Gallery
Tats Manahan talk on the techniques and influences of the Manila portraits; the stories behind the portraits and sitters; and the implications of the artist's work ethics and art philosophy to today's generation of artists.



The Metropolitan Museum of Manila is open from 9am - 6pm (Mondays-Saturdays), 
located at the Bangko Sentral ng Pilipinas Complex, Roxas Boulevard, Manila. 

For information, call 708-7829 
or visit www.metmuseum.ph 




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